Review of the Venice Biennale as a model of the Biennale Form as the Global Management and distribution of Western Art
April 29, 2024
- Index
- David Goldenberg
- PostAutonomy
- Archive
- When the Globe is Home, Gallerie Della Prigioni, 2020/21, Bennetton Foundation, Trevisio, Italy
- 2019 Finite/Infinite, 51zero Festival of Contemporary Art and moving image, 2019, Rochester and Canterbury, UCA, UK
- 5 Years Gallery, 2018, London, UK
- Practice – Process – Collaboration, VVM7, 2018, Tate Liverpool Exchange, Liverpool, UK
- Posters, 2018, NgbK, Berlin, Germany
- Turbulence, 5th Odessa Biennial, Ukraine. 2017. Special section: Distributing Obsolescence: Food Bank, Art Bank, Technology Bank curated by Camilla Boemio.
- Here, there and everywhere: Eurasian Cities. Chapter 1. 2016. Curator Jiho Lee, project director Kyong Park. Asia Culture Center, Gwangju, South Korea
- PARALLEL – VIENNA CONTEMPORARY ART EXHIBITION, 2016
- Distributing Obsolescence: Art bank, Food bank, data bank. 2016. Curated by Camilla Boemio, Villa Caprile, Pesaro, Italy,
- Bodrum Biennial, 2015, Bodrum, Turkey
- Deptford X, 2015, curated by Janette, Paris, Deptford, London, UK
- Dispositions in Time and space. 2014/15. The National Gallery of Contemporary art, Bucharest, Romania
- Caspian Sea Biennial Convention. 2013. Curated by Leonid Bazhanov (NCCA Moscow) in collaboration with Bahram Khalilov
- David Goldenberg (UK)
Between Revolution and Heresy
Thursday 12 December 2013, 19.00 - The Spatial extension of Art, 2015. CNM, National Gallery of Macedonia, Skopje, Macedonia
- Personal structures: Culture.Mind.Becoming, 2013, organised by GAA, Palazzio Bembo, Venice Biennial collateral show, Venice, Italy
- Performance “In Search of Post Autonomy”, November 25th, 2012, Palazzo Isimbardi, Milan, Italy
- “The Scenarios of Post Autonomy”, 2012. Glenda Cinquegrana: The Studio, Milan, Italy
- Cooperation not corporations, increases the potential of art, 2010, curated by Maja Ciric, ITS-1, Belgrade, Serbia
- “The time of Post Autonomy is now”, 2009, curated by Freek Lommie, Plug-in, Your space, Van Abbemuseum, Eindhoven, NL
- Berlin Biennial online CV project organised by Natscha Sadr Haghighian. 2012
- The Bittersweet Salon, 2013, Margate, Kent, UK
- Tank Gallery, 2010, London, UK
- Mobile Documenta”, 2009. Fordham Gallery, London, UK
- Sadler’s Wells, 2007, London, UK
- AgitPop, Londonprintstudio, London, UK, 2008
- Brixton Calling, 2011, 198 Contemporary Arts, Brixton, London, UK
- Les Merveilles Du Monde, 2006, curated by Jane Lee and Peter Fillingham, Musee des Beaux-Arts de Dunkerque, France.
- Jump into the Cold water, Shedhalle, 2006, curated by Kathaerine Scheilben and Sonke Gau,, Zurich, Switzerland
- Copy Art net, 2004, MACBA, Barcelona, Spain
- MissMao, 2006, London, UK
- Soft Logic, 2004, Kunstlerhaus, Stuttgart, Germany
- Curating degree zero tour 2003-2008
- 10th International Istanbul Biennial, Not only possible but also necessary optimism in the age of Global war. 2007. Curated by Hou Hanru. Special projects as part of K2’s Info lab. Istanbul, Turkey.
- Locally Localised Gravity, Plausible Artworlds, 2007, organised by Basekamp and Stephen Wright, ICA, Philadelphia, USA
- Art Anthology, organised by Jochen Gertz, Tour ZKM, Karlsruhe, Germany, Walter Gropius Bau, Berlin, Germany, Ars Electronica, Linz, Austria; Kunst und Austellungsshalle der Bundersrepublik Deutschland, Bonn, Germany. 2002-06
- Fordham at Netwerk, Netwerk, Aalst, Belgium, Curated by Fordham Gallery, 2006.
- Boundless, 2004, Tour of Norway.
- S.T.R.U.K.T.U.R., artist network, 2004, New York, NY, USA
- United Networks Tour. 2003. Museum of Modern Art, Stockholm, Sweden; Goteborgs Kunsthall, Sweden; EHU Gallery, Minsk, Republic of Russia; Access, Vancouver, Canada.
- 6th Sharjah International Biennial, 2002. curated by Peter Lewis and Hoor Al-Qasimi, Sharjah, UAE
- Century City: Art and Culture in the Modern Metropolis Tate Modern, London, UK. 2001. Survey show of London in the 90s. Section curated by Peter Lewis. Curator: Emma Dexter.
- Out of Space, 2000. curated by Udo Kittelmann, text by Yilmaz Dziewior.
- Schnittraum, 2000, Koln, Germany
- Munster/London, 2001, Henry Peacock Gallery, London, UK
- ICA Curating Post Institutions Conference, 1999, Organised by David Goldenberg & Anna Harding with Goldsmiths University. Arts Council of England Funded.
- 1998 Homeless Projects
- Host, 1998. Curated by Peter Lewis, Tramway, Glasgow, Scotland
- The Vauxhall Gardens, 1998, curated by Peter Fillingham, Norwich Gallery, UK
- What if? 1998, Dzikanka Gallery, Warsaw, Poland
- Kunst steht in weg, 1998, in collaboration with Andrea Knobloch, Public art project, containers distributed throughout Koln, Germany
- Martin tour. 1997. curated by Taru Nasu, Atlantis Gallery, London, Waygood Gallery, Newcastle Upon Tyne, Catalyst Arts, Belfast, Northern Ireland
- The Dream Plan, 1998, curated by the Danger Museum, Kwanhoan Gallery, Seoul, South Korea
- Their Chromakey and Ours, 1997, curated by John Timberlake, Waygood Gallery, Newcastle, UK
- Sarah Statons Superstore, 1997, Laurie Genillard, London, UK
- The Happy Shopper, 1996, Elephant & Castle, London, UK
- 50X50X50X50, 1994, curated by John Roberts, 83 Curtain Rd, London, EC2, UK and ev Schipper Krome, Cologne art fair week, Koln, Germany.
- Sei Dabei, “September news“, concept by weltbekannt e.V. /Kiosk and Rita Baukrowitz and Karin Guntier, Hamburg, Germany
- Coming up for air, 1994. Curated by Henry Obuabang, Agency Gallery and Milch, London, UK
- Flexible Response, tour, 1993, in collaboration with MOI, Atlantis Gallery, London, UK, Bath arts Festival, with F-stop, Bath, UK
- Adsite, 1993, London, UK
- Microwaves and Frozen Stills details
- The Archaeology of Silence, 1991, 147 Hornsey Rd, London N7 6DU. Curated by Monika Oechsler and Christabel Harley
- Minefields: 4 sites, 1990, The 33 Arts Centre, Luton, Bedfordshire, UK
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