Exhibitions 2016/17

 

 

Sept

Art Riot Exhibition and book launch, Chelsea School of Art, London, UK

PV 5th September

5-9th September

Room A119a

 

July 2016

 

“Delivering Obsolescence: Art bank, Data bank, food bank” One person show at the Palace of Villa Caprile, Le Marche, Italy. Curated by Camilla Boemio and AAC Platform

 

 

 

July 2016, Group show, Kunst Altonale 18, Hamburg, Germany

 

 

 

Title: Stasis and Looping, 2016

 

A new work  “A visual essay on the effectiveness of art against the background of a protest against austerity”

 

 

http://julietartmagazine.com/it/events/delivering-obsolescence-art-bank-data-bank-food-bank-installazione-site-specific-di-david-goldenberg/

 

Research Seminar: David Goldenberg

Event Date May 4, 2016 3:30 p.m. – 5 p.m.

Location – ATRiuM, Cinema (CA B205)

Assembling a platform to stage Participating Cultures

Chair: Inga Burrows (University of South Wales)

The term Participating Cultures originated in a lecture that I delivered for the 2010 Mongolian Land Art Biennial, as a critique of participatory practices and the Biennial form as a platform for staging art in a Global context. Then expanded and visualised in installations for the Venice Biennial and the Caspian Sea Biennial, and more recently in a text for the Pavilion Journal in 2014 where Participating Cultures is recognised as the second term in the formulation of the scheme of Post Autonomy.

In the new lecture I propose to provide a general introduction that covers the initial steps towards the conceptualisation and visualisation of Participating Cultures, beginning with how to translate the concepts into recognisable forms and language that makes the ideas understandable to a wider audience and contributors. And at the same time establish a platform to both discuss and stage a project examining Participating Cultures against a background of stasis and obsolescence and the current state of sociopolitical emergency, that forefronts the health and capacity for art and thinking to register this state of affairs? As a term it is intended to signal and trigger re-imagining starting again, leading to re-configuring the spatial global role of art. Yet before this possible any discussion of change, starting again, and reconfiguration is only possible through a general understanding of the space of art and cultural power.

Da­vid Gol­den­berg, (Hit­chin, Hertfordshire, UK, 1956) is an im­portant Eng­lish con­cep­tu­al ar­tist. For ye­ars, his re­se­arch has been con­cen­tra­ted on the Post Au­to­no­my con­cept, which he has de­ve­l­o­ped in a num­ber of shows held at im­portant in­ter­na­tio­nal in­sti­tu­ti­ons, stan­douts amongst which are the re­cent (2012) The Sce­na­ri­os of Post Au­to­no­my, Glen­da Cin­que­gra­na: the Stu­dio, Mi­lan, Ita­ly; Tem­pla­te – Mo­bi­le Do­cu­men­ta, Chisenha­le Stu­di­os, Lon­don (2011), The Space of Post Au­to­no­my, Arts De­pot, Vi­en­na (2011), Plau­si­ble Art­worlds, Ba­se­kamp, Phil­adel­phia (2010), Mo­bi­le Do­cu­men­ta, Ford­ham Gal­le­ry, Lon­dra (2009), The Time of Post Au­to­no­my is Now, Your space, Van Ab­be­mu­se­um, Eind­ho­ven, Hol­land (2009), The Space of Post Au­to­no­my, Lo­cal Ope­ra­ti­ons, Ser­pen­ti­ne Gal­le­ry, Lon­don (2007).

 

Review of Condo by David Goldenberg

New text in collaboration with Maria Inez Plaza

Social share

New text on Participating Cultures for Reflector M

Participating Cultures

 

 

Here, There and Everywhere: Eurasian Cities

 

Project Director, Project Artist Kyong Park

JIHOI LEE, CURATOR

Asia Culture Center, ACC Creation, in Gwangju, South Korea,

from November 25th, 2015 to July 5th, 2016

 

 

 

Installation shots Asia Culture Center, ACC Creation, in Gwangju, South Korea

 

Guide

http://imaginingneweurasia.org/exhibition/programs/

http://imaginingneweurasia.org/main/

eMuseum

 

I have three text/poster works

Collapse

Fiction

From Art into Politics and from Politics into Art

 

Opening of European Promise 11th December

European Promise

 

New text on Curating degree zero in OnCurating issue 26

Curating degree zero

 

Arts Initiative Tokyo,
Rosanne Altstatt,
Amasté,
Artlab,
Anthony Auerbach,
B+B: Sophie Hope & Sarah Carrington,
Marius Babias,
Basekamp,
 Ute Meta Bauer,
Lorenzo Benedetti,
Tobias Berger,
Ursula Biemann,
Beatrice Von Bismarck,
Blok,
Lionel Bovier,
Tim Brennan,
c a l c,
camouflage,
Ele Carpenter,
Daniela Cascella,
Vaari Claffey,
Barbara Clausen,
consonni,
 Copenhagen Free University,
CRUMB,
Alice Creischer & Andreas Siekmann, D.A.E: Peio Aguirre & Leire Vergara, Catherine David,
Joshua Decter,
 Clémentine Deliss,
Claire Doherty,
Barnaby Drabble,
Sergio Edelsztein,
 Eichelmann, Faiers & Rust, EIPCP, Octavian Esanu, Jacob Fabricius, Elena Filipovic, Fiteiro Cultural, Freee, Mark Garry, Sönke Gau, Catalin Gheorghe, GMK, David Goldenberg, Horst Griese, Frederikke Hansen,
Kent Hansen,
Maria Hlavajova,
Justin Hoffmann,
Manray Hsu,
Andrew Hunt, Per Hüttner, Instant Coffee,
International 3, K&K, Christoph Keller, Alexander Koch, Annette Kosak, Holger Kube Ventura, Kuda.org, Kuratorisk Aktion, Daniel Kurjakovic, Simon Lamunière, Kelly Large, Maria Lind, Locus +, Chus Martínez, Bernd Milla, Elke aus dem Moore, Nina Möntmann, Heike Munder, Lise Nellemann, Tone Olaf Nielsen, Hans Ulrich Obrist, NEID, Paul O’Neill, Marion von Osten, Sarah Pierce/The Metropolitan Complex, Planet22, Tadej Pogacar, Prelom, Aisling Prior, Protoacademy, Catherine Queloz, Reinigungsgesellschaft, RELAX, Dorothee Richter,
Maria Riskova, Stella Rollig, Sabine Schaschl-Cooper, Annette Schindler, Katharina Schlieben, Eva Schmidt, Trebor Scholz, Marco Scotini, Yukiko Shikata, Nathalie Boseul Shin, Gregory Sholette, Joshua Simon, Lisette Smits, Reinhard Storz, Bettina Steinbrügge, Szuper Gallery, Toasting Agency, TNC Network, Attila Tordai, Trinity Session, Mark Tribe, Unwetter, Value, Sencer Vardaman, Yvonne Volkart,
Stevan Vukovic, Gavin Wade, Florian Waldvogel, Cristine Wang, Astrid Wege,
Lee Welch WHW, Jan Van Woensel,
Ina Wudtke, Florian Wüst, Tirdad Zolghadr, Tal Ben Zvi.

 

The archive of curating degree zero is open to the public at  the Media and Information Centre (MIZ) at the Zürich University of the Arts (ZHdK).

Information on the archive

Catalogue

 

Material on David Goldenberg and works stored in the archive

 

http://recherche.nebis.ch/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=ebi01_prod006797061&indx=80&recIds=ebi01_prod006797061&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&dscnt=0&vl(1UIStartWith0)=contains&scp.scps=scope%3A%28ebi01_prod%29&tb=t&vl(215043702UI0)=any&mode=Basic&vid=NEBIS&vl(524695795UI1)=all_items&srt=rank&tab=default_tab&dum=true&vl(freeText0)=dokumentensammlung%20e65%20curating%20degree%20zero%20archive&dstmp=1477947526499

 

Interview October 2015

 

For exibitart.com

 

CURATORIAL PRACTISES
	La Post Autonomy di David Goldenberg di Camilla Boemio		camilla boemio

 

 

Catalogue for venicevending show

Venicevending catalogue