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When the Globe is Home, Gallerie Della Prigioni, 2020/21, Bennetton Foundation, Trevisio, Italy
2019 Finite/Infinite, 51zero Festival of Contemporary Art and moving image, 2019, Rochester and Canterbury, UCA, UK
5 Years Gallery, 2018, London, UK
Practice – Process – Collaboration, VVM7, 2018, Tate Liverpool Exchange, Liverpool, UK
Posters, 2018, NgbK, Berlin, Germany
Turbulence, 5th Odessa Biennial, Ukraine. 2017. Special section: Distributing Obsolescence: Food Bank, Art Bank, Technology Bank curated by Camilla Boemio.
Here, there and everywhere: Eurasian Cities. Chapter 1. 2016. Curator Jiho Lee, project director Kyong Park. Asia Culture Center, Gwangju, South Korea
PARALLEL – VIENNA CONTEMPORARY ART EXHIBITION, 2016
Distributing Obsolescence: Art bank, Food bank, data bank. 2016. Curated by Camilla Boemio, Villa Caprile, Pesaro, Italy,
Bodrum Biennial, 2015, Bodrum, Turkey
Deptford X, 2015, curated by Janette, Paris, Deptford, London, UK
Dispositions in Time and space. 2014/15. The National Gallery of Contemporary art, Bucharest, Romania
Caspian Sea Biennial Convention. 2013. Curated by Leonid Bazhanov (NCCA Moscow) in collaboration with Bahram Khalilov
David Goldenberg (UK)
Between Revolution and Heresy
Thursday 12 December 2013, 19.00
The Spatial extension of Art, 2015. CNM, National Gallery of Macedonia, Skopje, Macedonia
Personal structures: Culture.Mind.Becoming, 2013, organised by GAA, Palazzio Bembo, Venice Biennial collateral show, Venice, Italy
Performance “In Search of Post Autonomy”, November 25th, 2012, Palazzo Isimbardi, Milan, Italy
“The Scenarios of Post Autonomy”, 2012. Glenda Cinquegrana: The Studio, Milan, Italy
Cooperation not corporations, increases the potential of art, 2010, curated by Maja Ciric, ITS-1, Belgrade, Serbia
“The time of Post Autonomy is now”, 2009, curated by Freek Lommie, Plug-in, Your space, Van Abbemuseum, Eindhoven, NL
Berlin Biennial online CV project organised by Natscha Sadr Haghighian. 2012
The Bittersweet Salon, 2013, Margate, Kent, UK
Tank Gallery, 2010, London, UK
Mobile Documenta”, 2009. Fordham Gallery, London, UK
Sadler’s Wells, 2007, London, UK
AgitPop, Londonprintstudio, London, UK, 2008
Brixton Calling, 2011, 198 Contemporary Arts, Brixton, London, UK
Les Merveilles Du Monde, 2006, curated by Jane Lee and Peter Fillingham, Musee des Beaux-Arts de Dunkerque, France.
Jump into the Cold water, Shedhalle, 2006, curated by Kathaerine Scheilben and Sonke Gau,, Zurich, Switzerland
Copy Art net, 2004, MACBA, Barcelona, Spain
MissMao, 2006, London, UK
Soft Logic, 2004, Kunstlerhaus, Stuttgart, Germany
Curating degree zero tour 2003-2008
10th International Istanbul Biennial, Not only possible but also necessary optimism in the age of Global war. 2007. Curated by Hou Hanru. Special projects as part of K2’s Info lab. Istanbul, Turkey.
Locally Localised Gravity, Plausible Artworlds, 2007, organised by Basekamp and Stephen Wright, ICA, Philadelphia, USA
Art Anthology, organised by Jochen Gertz, Tour ZKM, Karlsruhe, Germany, Walter Gropius Bau, Berlin, Germany, Ars Electronica, Linz, Austria; Kunst und Austellungsshalle der Bundersrepublik Deutschland, Bonn, Germany. 2002-06
Fordham at Netwerk, Netwerk, Aalst, Belgium, Curated by Fordham Gallery, 2006.
Boundless, 2004, Tour of Norway.
S.T.R.U.K.T.U.R., artist network, 2004, New York, NY, USA
United Networks Tour. 2003. Museum of Modern Art, Stockholm, Sweden; Goteborgs Kunsthall, Sweden; EHU Gallery, Minsk, Republic of Russia; Access, Vancouver, Canada.
6th Sharjah International Biennial, 2002. curated by Peter Lewis and Hoor Al-Qasimi, Sharjah, UAE
Century City: Art and Culture in the Modern Metropolis Tate Modern, London, UK. 2001. Survey show of London in the 90s. Section curated by Peter Lewis. Curator: Emma Dexter.
Out of Space, 2000. curated by Udo Kittelmann, text by Yilmaz Dziewior.
Schnittraum, 2000, Koln, Germany
Munster/London, 2001, Henry Peacock Gallery, London, UK
ICA Curating Post Institutions Conference, 1999, Organised by David Goldenberg & Anna Harding with Goldsmiths University. Arts Council of England Funded.
1998 Homeless Projects
Host, 1998. Curated by Peter Lewis, Tramway, Glasgow, Scotland
The Vauxhall Gardens, 1998, curated by Peter Fillingham, Norwich Gallery, UK
What if? 1998, Dzikanka Gallery, Warsaw, Poland
Kunst steht in weg, 1998, in collaboration with Andrea Knobloch, Public art project, containers distributed throughout Koln, Germany
Martin tour. 1997. curated by Taru Nasu, Atlantis Gallery, London, Waygood Gallery, Newcastle Upon Tyne, Catalyst Arts, Belfast, Northern Ireland
The Dream Plan, 1998, curated by the Danger Museum, Kwanhoan Gallery, Seoul, South Korea
Their Chromakey and Ours, 1997, curated by John Timberlake, Waygood Gallery, Newcastle, UK
Sarah Statons Superstore, 1997, Laurie Genillard, London, UK
The Happy Shopper, 1996, Elephant & Castle, London, UK
50X50X50X50, 1994, curated by John Roberts, 83 Curtain Rd, London, EC2, UK and ev Schipper Krome, Cologne art fair week, Koln, Germany.
Sei Dabei, “September news“, concept by weltbekannt e.V. /Kiosk and Rita Baukrowitz and Karin Guntier, Hamburg, Germany
Coming up for air, 1994. Curated by Henry Obuabang, Agency Gallery and Milch, London, UK
Flexible Response, tour, 1993, in collaboration with MOI, Atlantis Gallery, London, UK, Bath arts Festival, with F-stop, Bath, UK
Adsite, 1993, London, UK
Microwaves and Frozen Stills details
The Archaeology of Silence, 1991, 147 Hornsey Rd, London N7 6DU. Curated by Monika Oechsler and Christabel Harley
Minefields: 4 sites, 1990, The 33 Arts Centre, Luton, Bedfordshire, UK
Microwaves & Frozen Stills. 1992. Museum of Installation, London, UK
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July 2024
All about Curating
July 4, 2024
Interview with Sonia Boyce
July 3, 2024
Sonia Boyce talks to David Goldenberg – New Art Examiner
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